Summary: Google Ads, Facebook Ads, and LinkedIn Marketing Solutions are examples of Online Advertising Platforms.
Online Advertising Platforms are online platforms which allow people to create Accounts that they can use to upload and deliver adverts to people online.
Tactic: TA07 Select Channels and Affordances
Parent Technique: T0153 Digital Content Delivery Asset
| Associated Technique | Description |
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| Incident | Descriptions given for this incident |
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| I00097 Report: Not Just Algorithms | “Four media companies – Svenska Dagbladet, Expressen, Sveriges Radio, and Sveriges Television – stated that they had been contacted by the Chinese embassy on several occasions, and that they, for instance, had been criticized on their publications, both by letters and e-mails. The media company Svenska Dagbladet, had been contacted on several occasions in the past two years, including via e-mails directly from the Chinese ambassador to Sweden. Several times, China and the Chinese ambassador had criticized the media company’s publications regarding the conditions in China. Individual reporters also reported having been subjected to criticism. The tabloid Expressen had received several letters and e-mails from the embassy, e-mails containing criticism and threatening formulations regarding the coverage of the Swedish book publisher Gui Minhai, who has been imprisoned in China since 2015. Formulations such as “media tyranny” could be found in the e-mails.” In this case, the Chinese ambassador is using their official role (T0143.001: Authentic Persona, T0097.111: Government Official Persona) to try to influence Swedish press. A government official trying to interfere in other countries' media activities could be a violation of press freedom. In this specific case, the Chinese diplomats are trying to silence criticism against China (T0139.002: Silence).” |
| I00114 ‘Carol’s Journey’: What Facebook knew about how it radicalized users | In this report EU DisinfoLab identified 17 Spanish accounts that monetise and/or spread QAnon content or other conspiracy theories on Patreon. Content produced by these accounts go against Patreon’s stated policy of removing creators that “advance disinformation promoting the QAnon conspiracy theory”. EU DisinfoLab found: In most cases, the creators monetise the content directly on Patreon (posts are only accessible for people sponsoring the creators) but there are also cases of indirect monetization (monetization through links leading to other platforms), an aspect that was flagged and analysed by Eu DisinfoLab in the mentioned previous report. Some creators display links that redirects users to other platforms such as YouTube or LBRY where they can monetise their content. Some even offer almost all of their videos for free by redirecting to their YouTube channel. Another modus operandi is for the creators to advertise on Patreon that they are looking for financing through PayPal or provide the author’s email to explore other financing alternatives. [...] Sometimes the content offered for a fee on Patreon is freely accessible on other platforms. Creators openly explain that they seek voluntary donation on Patreon, but that their creations will be public on YouTube. This means that the model of these platforms does not always involve a direct monetisation of the content. Creators who have built a strong reputation previously on other platforms can use Patreon as a platform to get some sponsorship which is not related to the content and give them more freedom to create. Some users explicitly claim to use Patreon as a secondary channel to evade “censorship” by other platforms such as YouTube. Patreon seems to be perceived as a safe haven for disinformation and fringe content that has been suppressed for violating the policies of other platforms. For example, Jorge Guerra points out how Patreon acts as a back-up channel to go to in case of censorship by YouTube. Meanwhile, Alfa Mind openly claims to use Patreon to publish content that is not allowed on YouTube. “Exclusive access to videos that are prohibited on YouTube. These videos are only accessible on Patreon, as their content is very explicit and shocking”, are offered to the patrons who pay €3 per month. In spite of Patreon’s stated policy, actors use accounts on their platform to generate revenue or donations for their content, and to provide a space to host content which was removed from other platforms (T0146: Account Asset, T0152.012: Subscription Service Platform, T0121.001: Bypass Content Bocking). Some actors were observed accepting donations via PayPal (T0146: Account Asset, T0148.003: Payment Processing Platform). |
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